David Williams
David Williams is the grandfather of Texas Modern architecture. In the late 1920s, he traveled extensively in Europe admiring the modern masters. When he came back to Dallas, he desired to do for Texas what Frank Lloyd Wright did for the Midwest when he incorporated Texas Modernism in his Prairie style homes. David Williams' inspiration was the handcrafted pioneer homes indigenous to Texas. He himself was born in a sod home, so he understood the rugged individualism of Texas. He and his protégé, O'Neil Ford, would go on trips to sketch early Hill Country and pioneer houses. David Williams also did a lot of work in Mexico as the oil business developed there, setting up base camps and fulfilling other architectural needs. This is where his interest in Spanish Colonial architecture originated. You can see this influence on the Spanish Mediterranean home he designed in 1924 at 5929 St. Andrews and on the Loma Linda walls and gates that he also designed in 1924 found at Mockingbird Lane and Armstrong Parkway and Preston Road at Windsor Parkway. He continued to include this style for the more regional home he designed in 1926 for his brother at 700 Paulus. Artisans and architects, all were drawn to David Williams and his modest but vibrant office. "He was passionate about his work and would keep everyone in his office until 11 o'clock, take them all out for drinks afterward and then get thrown in jail for not having the money to pay for it all," recalls Patsy Swank. After he designed the home at 3805 McFarlin in 1933, he went to work for the Roosevelt administration developing planned communities and coordinating public works projects.

3805 McFarlin
David Williams culminated his residential work with a home he built in 1932 for University Park Mayor, Elbert Williams, at 3805 McFarlin. It has 11 ˝ foot ceilings, double hung windows on the first floor and doors on the second floor opening to the balcony. The windows are placed to accentuate the cross ventilation of the breezes coming across the creek. Lynn Ford created many of the light fixtures and did much of the carving and woodwork, including the grooved railings and cared fireplace in the living room. The guest quarters over the garage is reminiscent of the studio designed for Jerry Bywaters on Watauga that was recently torn down. The standing seam metal roof and the home, designed almost as separate components attached to the main structure, are indicative of early Texas pioneer homes.










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